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The Music of Bali, Bali is an Indonesian island that shares in the gamelan and other Indonesian musical styles. Bali, however, has its own techniques and styles, including kecak, a form of singing that imitates the sound of monkeys. In addition, the island is home to several unique kinds of gamelan, including the gamelan jegog, gamelan gong ...
Gamelan gong kebyar. Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [1] and refers to the explosive changes in tempo and dynamics characteristic of the style. Gong kebyar music is based on a five-tone scale called pelog selisir (tones 1, 2, 3, 5, and 6 of the 7-tone ...
Gamelan Son of Lion, a Javanese-style iron American gamelan based in New York City that is devoted to new music, playing in a loft in SoHo, Manhattan, United States in 2007. Sundanese Gamelan Degung being played in Museo Nacional de las Culturas Mexico, Indra Swara Gamelan Group, on 2 April 2018.
Gamelan gong gede. Gamelan gong gede, meaning " gamelan with the large gongs", is a form of the ceremonial gamelan music of Bali, dating from the court society of the fifteenth and sixteenth centuries, associated historically with public ceremonies and special occasions such as temple festivals. [1]
Developed. Indonesia. A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched kantilan and the larger pemade. Each instrument consists of several tuned metal bars (either iron or bronze ...
Kotekan is a style of playing fast interlocking parts in most varieties of Balinese Gamelan music, including Gamelan gong kebyar, Gamelan angklung, Gamelan jegog and others. Kotekan are "sophisticated interlocking parts," [2] "characteristic of gong kebyar and several other Balinese gamelan styles, that combine to create the illusion of a ...
Colin Carhart McPhee (March 15, 1900 – January 7, 1964) was a Canadian-American composer and ethnomusicologist.He is best known for being the first Western composer to make a musicological study of Bali, [1] and to develop American gamelan along with fellow composer Lou Harrison.
one small handheld gong that acts as a metronome: kempli. The drums and cymbals generally play interlocking patterns over the ostinato of the gongan gong cycle. Though bebatelan itself is rarely heard nowadays, its instrumentation forms the nucleus of the more complex modern ensemble: beleganjur bebonangan.