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It involves replacing one finger which is depressing a string or key with another finger to facilitate the performance of a passage or create a desired tone or sound. The simplest type of finger substitution is when a finger replaces another finger during a rest; the more difficult type is to replace one finger with another while a note is ...
Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.
string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials; whistling, singing or talking into the piano (with depressed sustain pedal) silently depressing one or more keys, allowing the ...
prepared piano, i.e., introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e., striking, plucking, or bowing the strings directly, or any other direct manipulation of the strings; resonance effects (whistling, singing or talking into the piano)
On a guitar, for example, the same pitch can be played on a heavier, over-wound string, rather than a plain single-wire string (solid wire string). The note played on the heavier string will sound significantly different from one played on a single wire string, so playing the same pitch on differently made strings in short succession can ...
In the acoustic piano, harpsichord, and clavichord, the vibrating element is a metal wire or string; in many non-digital electric pianos, it is a tapered metal tine (Rhodes piano) or reed (Wurlitzer electric piano) with one end clamped and the other free to vibrate.
String piano is a term coined by American composer-theorist Henry Cowell (1897–1965) to collectively describe pianistic extended techniques in which sound is produced by direct manipulation of the strings, instead of or in addition to striking the piano's keys. Pioneered by Cowell in the 1920s, such techniques are now often called upon in the ...
Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer.