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In literary theoretic approach, narrative is being narrowly defined as fiction-writing mode in which the narrator is communicating directly to the reader. Until the late 19th century, literary criticism as an academic exercise dealt solely with poetry (including epic poems like the Iliad and Paradise Lost, and poetic drama like Shakespeare).
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Nonlinear narrative – a story whose plot does not conform to conventional chronology, causality, and/or perspective. Novel – a long, written narrative, normally in prose, which describes fictional characters and events, usually in the form of a sequential story.
A fiction-writing mode is a manner of writing imaginary stories with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions.
[2] [3] In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. [1] The premise sets up the plot, and the setting also influences the final story. An imbroglio can convolute the plot based on a misunderstanding.
Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create a beautiful tapestry. [6] A scene top-heavy with action can feel unreal because it is likely that characters doing something—anything at all—would be talking during the activity. [7]
Narrative technique – any of several specific methods the creator of a narrative uses to convey what they want — in other words, a strategy used in the making of a narrative to relay information to the audience and, particularly, to "develop" the narrative, usually in order to make it more complete, complicated, or interesting.