Search results
Results From The WOW.Com Content Network
"Pipa xing" (Chinese: 琵琶行), variously translated as "Song of the Pipa" or "Ballad of the Lute", is a Tang dynasty poem composed in 816 by the Chinese poet Bai Juyi, [1] one of the greatest poets in Chinese history. [2] [3] The poem contains a description of a pipa performance during a chance encounter with a performer near the Yangtze ...
The main part of the music is played in a rapid manner, utilising a variety of pipa techniques to describe the furious battle between the armies of Chu and Han, such as flipping, sweeping, circular fingering, wringing, rolling, and halting. The last few sections of the music depict Xiang Yu's defeat, then his suicide beside the Wujiang River.
This is a list of songs about Pakistan (known as Milli naghmay, Urdu: ملی نغمے) listed in alphabetical order. The list includes songs by current and former solo-singers and musical bands. The list includes songs by current and former solo-singers and musical bands.
The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
Dance of the Yi People (simplified: 彝 族 舞 曲; traditional: 彞 族 舞 曲; pinyin: Yízú Wǔqǔ; sometimes also called Dance of the Yi Tribe or Yi Dance) is one of the most popular solo compositions for the pipa, a four-stringed pear-shaped fretted lute used as one of the primary traditional musical instruments of China.
A second erhu is sometimes used, known as fanhu (反胡) or fan erhu (反二胡), meaning "counter fiddle" or "cross fiddle"; it has thicker strings tuned a minor third (B3, F4#) or fourth (A3, E4) below the leading erhu; Pipa – pear-shaped lute with four strings, uses standard tuning of A2, D3, E3, A3. Although G2, C3, D3, G3, a whole tone ...
Wu Man (Chinese: 吴 蛮; pinyin: Wú Mán; born January 2, 1963) [1] is a Chinese pipa player and composer. Trained in Pudong-style pipa performance at the Central Conservatory of Music in Beijing, she is known for playing in a broad range of musical styles and introducing the pipa and its Chinese heritage into Western genres.
Liu was a noted erhu and pipa player, and an early pioneer in the modernisation of traditional Chinese music. He joined Cai Yuanpei's Peking University Music Society as an instrumental instructor in 1922.