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Musicogenic seizure, also known as music-induced seizure, is a rare type of seizure, with an estimated prevalence of 1 in 10,000,000 individuals, that arises from disorganized or abnormal brain electrical activity when a person hears or is exposed to a specific type of sound or musical stimuli.
Musicogenic epilepsy is a form of reflex epilepsy with seizures elicited by special stimuli. [ 1 ] [ 2 ] It has probably been described for the first time in 1605 by the French philosopher and scholar Joseph Justus Scaliger (1540-1609). [ 3 ]
Epileptic brain activity in musical hallucinations originates in the left or right temporal lobe. [3] In a specific case studied by Williams et al. 2008, a patient who received a left temporal lobectomy in order to treat epilepsy was diagnosed with musical hallucinations post-surgery.
[2] [7] [3] [8] Some of the more common types of reflex epilepsy include light and music. [3] Photosensitive epilepsy is an abnormal sensitivity of the brain to visual stimuli and is the most common trigger in reflex seizures. [3] Reflex seizures can be induced by both flickering or non-flicking light, television, video games, or other visual ...
The term "agnosia" refers to a loss of knowledge. Acquired music agnosia is the "inability to recognize music in the absence of sensory, intellectual, verbal, and mnesic impairments". [11] Music agnosia is most commonly acquired; in most cases it is a result of bilateral infarction of the right temporal lobes.
"It's All Your Fault, Tyler Price!" from composer Ben Decter and director Kristin Hanggi could help de-stigmatize the condition.
This 2014 definition of the International League Against Epilepsy [10] (ILAE) is a clarification of the ILAE 2005 conceptual definition, according to which epilepsy is "a disorder of the brain characterized by an enduring predisposition to generate epileptic seizures and by the neurobiologic, cognitive, psychological, and social consequences of ...
In contrast, musical escapism is a controlled psychological response to music driven by emotion and occasionally subconscious stress, typically without impairing daily life. The primary differences between maladaptive daydreaming and musical escapism lie in the nature of the activity, degree of control, and individual impact.