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Pope Boniface VIII: Popes of the late medieval and early modern period used their family coats of arms (the earliest exception being Nicholas V, r. 1447–1455). The coat of arms of Boniface VIII (r. 1294–1303), an early form of the Caetani coat of arms, happens to be the first coat of arms used by a pope preserved in a contemporary depiction ...
[Pa 5] "Talking" (canting) coats of arms have been around since the birth of the coat of arms, even if a prejudice, caused by their proliferation in modern times, makes them seem less ancient and less noble than the others. At least one-fifth of medieval coats of arms are canting arms. [Pa 3] [29] Emblems of fiefs also seem to have ancient origins.
A coat of arms is a heraldic visual design [1] on an escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto.
The German Hyghalmen Roll was made in the late 15th century and illustrates the German practice of repeating themes from the arms in the crest. (See Roll of arms).. Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree.
In the medieval period crests would always have faced the same way as the helm, but as a result of these rules, the directions of the crest and the helm might be at variance: a knight whose crest was a lion statant, would have the lion depicted as looking over the side of the helm, rather than towards the viewer. [13]
Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century. Western heraldry spread beyond its core territory of Latin Christendom in the 17th century, Western heraldic traditions being adopted in the Russian Empire .
The German heraldic tradition is noted for its scant use of heraldic furs, multiple crests, inseparability of the crest, and repetition of charges in the shield and the crest. Mullets have six points (rather than five as in Gallo-British heraldry), and beasts may be colored with patterns , (barry, bendy, paly, chequy, etc. ).
In Saxony, a black wolf rampant on a yellow shield features on the crest of von Wolfersdorf family. A green wolf grasping a dead swan in its jaws on a yellow shield is depicted on the crest and Arms of the Counts von Brandenstein-Zeppelin. In Italian heraldry, the attributed arms of Romulus and Remus were said to depict the Capitoline Wolf. An ...