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The Greek version of the story tells of a woodcutter who accidentally dropped his axe into a river and, because this was his only means of livelihood, sat down and wept. . Taking pity on him, the god Hermes (also known as Mercury) dived into the water and returned with a golden
Later English versions reinforce this by having the mouse promise to return the lion's favor, to its sceptical amusement. The Scottish poet Robert Henryson , in a version he included in his Morall Fabillis [ 1 ] in the 1480s, expands the plea that the mouse makes and introduces serious themes of law , justice and politics .
The English writer W. Somerset Maugham reverses the moral order in a different way in his short story, "The Ant and The Grasshopper" (1924). It concerns two brothers, one of whom is a dissolute waster whose hard-working brother has constantly to bail out of difficulties.
The saying 'The fox and the crane entertain each other' had come to mean that tricksters look out for their own advantage, so the two are pictured at the centre of the painting seated before their preferred receptacle. The story's popularity was further assured after it appeared in La Fontaine's Fables (I.18). [7]
To emphasise the moral he is drawing, Lessing concludes with the curse, 'Abominable flatterers, may you all be so rewarded with one poison for another!'. [8] An Eastern story of flattery rewarded exists in the Buddhist scriptures as the Jambhu-Khadaka-Jataka. [9] In this, a jackal praises the crow's voice as it is feeding in a rose-apple tree ...
Many other stories contain geese that lay golden eggs, though certain versions change them for hens or other birds that lay golden eggs. The tale has given rise to the idiom 'killing the goose that lays the golden eggs', which refers to the short-sighted destruction of a valuable resource, or to an unprofitable action motivated by greed.
The story was likely intended as a literature primer for young readers, but departed from highly moralistic, often religious stories written for the same purpose. Adaptations throughout the 1880s incorporated appealing illustrations in order to hold the reader's attention as interest became more relevant to reading lessons.
The moral drawn from the fable by Babrius was that "Brotherly love is the greatest good in life and often lifts the humble higher". In his emblem book Hecatomgraphie (1540), Gilles Corrozet reflected on it that if there can be friendship among strangers, it is even more of a necessity among family members. [4]