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"Tōryanse" (通りゃんせ) is the name of a traditional Japanese children's tune . It is a common choice for music played by traffic lights in Japan when it is safe to cross. Tōryanse can be heard in many forms of popular culture, such as at crosswalks in anime.
Kuroda Bushi (Japanese: 黒田節, literally the tune of Kuroda), also known as Kuroda-bushi, is a folk song from Fukuoka City, Fukuoka Prefecture, Japan. This song, since its birth in the 1590s, has become popular across Japan, being sung now often at nomikai (drinking parties) or at karaoke .
Bushi (節) is a type of Japanese folk music genre. The Japanese term fushi (節), originally used in Buddhist folk music in Japan, simply means "melody". Like the generic term ondo, bushi, the voiced form of fushi, is used as a suffix for Japanese folk songs. [1] It is found in many Japanese traditional and folk songs, usually shamisen or ...
It uses the song and text of Takio Ito's Takio no Sōran Bushi from 1988, which is a modernized version of the original song with a faster rhythm and a more modern music and text. The choreography was developed by the Butoh dancer Jushō Kasuga, which includes acting ocean waves, fishermen dragging nets, pulling ropes and lifting luggage over ...
Yamada's music during the 1920s and 1930s successfully avoided the pitfall of many contemporaneous Japanese composers, who created awkward hybrids in their attempts to bridge the gap between Western and Japanese music. [6] [10] His music is closer to Japanese melodic ideas, and eschews the formal structural relationships of Western harmony.
Gunka (軍歌, lit. ' military song ') is the Japanese term for military music. While in standard use in Japan it applies both to Japanese songs and foreign songs such as "The Battle Hymn of the Republic", as an English language category it refers to songs produced by the Empire of Japan in between roughly 1877 and 1943.
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The "Sakura Sakura" melody has been popular since the Meiji period, and the lyrics in their present form were attached then. [citation needed] The tune uses a pentatonic scale known as the in scale (miyako-bushi pentatonic scale) and is played in quadruple meter and has three parts (ABBAC) which stretch over 14 bars (2 + 4 + 4 + 2 + 2).