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Modern writing uses voiced consonant marks (with dakuten). This is used as an indicator of sound changes in the spoken Japanese language in the Heian era. The consonant /h/ in Japanese (a voiceless glottal fricative ) was historically pronounced as /ɸ/ (a voiceless bilabial fricative ) before the occurrence of the so-called hagyō tenko (“'H ...
Masayoshi Soken (祖堅 正慶, Soken Masayoshi, born January 10, 1975) is a Japanese video game composer and sound editor who has worked for Square Enix since 1998. Soken is best known for being the lead composer and sound director of Final Fantasy XIV and its expansions and lead composer of Final Fantasy XVI.
"Just a Little More") is a song by Japanese duo Yoasobi from their second EP, The Book 2 (2021). It was released as a single on May 10, 2021, by Sony Music Entertainment Japan. Written by Ayase and based on Chiharu's short story Meguru, the song is a pop song, telling about giving the courage to take a little more at the beginning of a day.
See-Saw is a Japanese pop duo (formerly a trio) originally from Tokyo, Japan. Its members included Chiaki Ishikawa (vocals) and Yuki Kajiura; former member Yukiko Nishioka (西岡 由紀子, Nishioka Yukiko) left the group in April 1994 to pursue a writing career. The group temporarily disbanded in 1995, but reunited in 2001.
Gunka (軍歌, lit. ' military song ') is the Japanese term for military music. While in standard use in Japan it applies both to Japanese songs and foreign songs such as "The Battle Hymn of the Republic", as an English language category it refers to songs produced by the Empire of Japan in between roughly 1877 and 1943.
Yamada's music during the 1920s and 1930s successfully avoided the pitfall of many contemporaneous Japanese composers, who created awkward hybrids in their attempts to bridge the gap between Western and Japanese music. [6] [10] His music is closer to Japanese melodic ideas, and eschews the formal structural relationships of Western harmony.
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Musically, "Automatic" is an R&B song that incorporates elements of pop, dance and soul music. A contributor of Japanese magazine CD Journal noticed that the R&B composition was a very "common" trait in Western culture in the late 1990s. [7] Kano, writing for Rockin'On Japan, agreed, and felt the song infused contemporary soul and club music ...