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  2. Challan - Wikipedia

    en.wikipedia.org/wiki/Challan

    Challan or Chalan is a common Hindi word (चालान, cālān) that has become an Indian English technical word used officially in many professional, especially financial transactions. It usually means an official form or receipt of acknowledgement or other kind of proof document , piece of paperwork, police citation , etc.

  3. Chalan (music) - Wikipedia

    en.wikipedia.org/wiki/Chalan_(music)

    Chalan is the movement of a raga or development of a raga while performing Alap. It may also refer to a Pakad of a raga. (Note: Chalan is mostly similar to the Pakad of a raga) For example, the Chalan of the Kedar (raga) is सा म ग प मे (tivra) म रे सा | Beneath are some Chalans of different ragas for better understanding:

  4. Chalan - Wikipedia

    en.wikipedia.org/wiki/Chalan

    Chalan or Chalán may refer to: Chalan (music), the development of a raga in Hindustani classical music; Chalán, a municipality in Colombia;

  5. Challans - Wikipedia

    en.wikipedia.org/wiki/Challans

    This Vendée geographical article is a stub. You can help Wikipedia by expanding it.

  6. Pakad - Wikipedia

    en.wikipedia.org/wiki/Pakad

    In Hindustani music, a pakad (Hindi: पकड़) is a generally accepted musical phrase (or set of phrases) thought to encapsulate the essence of a particular raga.The pakad contains the melodic theme of the raga, on listening to the pakad a person who knows the raga is usually able to identify it.

  7. Bhatiyar - Wikipedia

    en.wikipedia.org/wiki/Bhatiyar

    This article about the music of India is a stub. You can help Wikipedia by expanding it.

  8. Hamsadhvani - Wikipedia

    en.wikipedia.org/wiki/Hamsadhvani

    Hamsadhvani (meaning "the cry of the swan" [1]), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an audava rāgam (or owdava rāga, meaning pentatonic scale). [2]

  9. Puriya Dhanashree - Wikipedia

    en.wikipedia.org/wiki/Puriya_Dhanashree

    Each sruti or micro tonal interval has a definite character; the names manda, candovati, dayavati, ranjani, raudri, krodha, ugra or khsobhini denote their emotional quality which dwells in combination or singly in the notes of the modal scale: thus, dayavati, ranjani and ratika dwell in the gandhara and each of the notes ( swara) of the scale in its turn has its own kind of expression and ...