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"Technicolor is natural color" Paul Whiteman stars in an ad for his film King of Jazz from The Film Daily, 1930. Technicolor is a family of color motion picture processes. The first version, Process 1, was introduced in 1916, [1] and improved versions followed over several decades.
Technicolor theories are models of physics beyond the Standard Model that address electroweak gauge symmetry breaking, the mechanism through which W and Z bosons acquire masses. Early technicolor theories were modelled on quantum chromodynamics (QCD), the "color" theory of the strong nuclear force , which inspired their name.
Technicolor continued to offer its proprietary imbibition dye-transfer printing process for projection prints until 1975, and even briefly revived it in 1998. As an archival format, Technicolor prints are one of the most stable color print processes yet created, and prints properly cared for are estimated to retain their color for centuries. [30]
Technicolor introduced dye transfer in its Process 3, introduced in the feature film The Viking (1928), which was produced by the Technicolor Corporation and released by Metro-Goldwyn-Mayer. Technicolor's two previous systems were an additive color process and a physically problematic subtractive color process, the latter requiring two prints ...
It was advertised as being filmed in 100% Natural Color. Technicolor made many more silent films in color through the years, but in 1929, the first talking picture to use a color (Technicolor) sequence was The Broadway Melody. The color hues of that sequence are lost; the sequence only survives in black-and-white television prints from the 1950s.
Unlike substantive transparency and negative color films, Kodachrome film does not incorporate dye couplers into the emulsion layers. The dye couplers are added during processing. [ 29 ] This means that Kodachrome emulsion layers are thinner and less light is scattered upon exposure, meaning that the film could record an image with more ...
Film style and film genre should not be confused; they are different aspects of the medium. Style is the way a movie is filmed, as in the techniques that are used in the production process.
Definition and overview [ edit ] A digital intermediate often replaces or augments the photochemical timing process and is usually the final creative adjustment to a movie before distribution in theaters .