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It is for this reason that making uilleann-pipe chanter reeds is a demanding task. Uilleann pipe reeds are also often called "the piper's despair" for the immense difficulty of maintaining, tuning and especially making the double reed of the regulators and, most importantly, the chanter.
Pastoral pipes: Although the exact origin of this keyed, or un-keyed chanter and keyed drones (regulators), pipe is uncertain, it developed into the modern uilleann bagpipe. Zetland pipes: a reconstruction of pipes believed to have been brought to the Shetland Islands by the Vikings, though not clearly historically attested.
The chanter pipes may be designed to be played separately, one with each hand, or the two chanters may be played in unison (as in most Arabic bagpipes). One chanter may provide a drone accompaniment to the other, or the two chanters may play in a harmony of thirds and sixths (as in the northern Italian Müsa and central-southern Italian zampogna).
A chanter with a closed end at the bottom of the chanter. When all the finger holes are closed, the chanter cannot sound, allowing the player to play staccato. The Uilleann pipe achieves the same end by having the player rest the chanter on the leg, with the advantage that the lowest note remains available. Closed fingering
Brother's Tadhg and Denis Crowley made Warpipes, Highland Pipes, and Uilleann pipes in Cork. [13] David Naill & Co., Ltd. Leslie Cowell Somerset, England Founded 1976. Makers of Scottish Bagpipes, Smallpipes & chanters. [14] Peter Henderson Ltd. Peter Henderson Glasgow, Scotland 1868 1972 One of the famous Scottish bagpipe makers.
Several attempts were made to improve the pipes; the most successful was the London pipe maker Starck's "Brian Boru" bagpipe, with a keyed chanter that could play a full range of traditional music and a baritone drone, often held with the tenor and bass in a common stock. Such pipes are produced by few makers today and are played by only a ...
In modern Uilleann pipes, the player will move from the lower to the upper register by stopping the chanter momentarily while increasing the bag pressure, causing the reed to double-tone. However, in the pastoral pipe, the same effect can be achieved by increasing the bag pressure while playing a suitable gracenote.
Robert Reid was also active in making Union Pipes; the precursor to modern Uilleann pipes. Union pipes early-19th century keyed D-Chanter; by the pipe maker Robert Reid. Henry Clough (I) was known to play a Reid set of Union pipes including regulators; surviving parts of this set are now in private hands. [6]