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A formal analysis is an academic method in art history and criticism for analyzing works of art: "In order to perceive style, and understand it, art historians use 'formal analysis'. This means they describe things very carefully.
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
The formalist theory of art asserts that we should focus only on the formal properties of art—the "form", not the "content". [4] Those formal properties might include, for the visual arts, color, shape, and line, and, for the musical arts, rhythm and harmony.
Arts criticism is the process of describing, analyzing, interpreting, and judging works of art. [1] The disciplines of arts criticism can be defined by the object being considered rather than the methodology (through analysis of its philosophy): buildings (architecture criticism), paintings (visual art criticism), performances (dance criticism, theatre criticism), music (music journalism ...
Soon after Bell met Roger Fry, he developed his art theory significant form.The two shared a passion for contemporary French art. Bell's book Art (1914) was the first publication of his theory, which he describes as "lines and colours combined in a particular way, certain forms, and relations of forms, that stir our aesthetic emotions."
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
Typically the art critic views art at exhibitions, galleries, museums or artists' studios and they can be members of the International Association of Art Critics which has national sections. [3] Very rarely art critics earn their living from writing criticism. The opinions of art critics have the potential to stir debate on art-related topics.
"Against Interpretation" is Sontag's influential essay in Against Interpretation and Other Essays, which discusses the divisions between two different kinds of art criticism and theory: formalist interpretation and content-based interpretation. Sontag is strongly averse to what she considers to be contemporary interpretation, that is, an ...