Search results
Results From The WOW.Com Content Network
"Please Don't Leave Me" is a song from American singer Pink and the third single taken from her fifth studio album Funhouse. It was released on February 16, 2009. The song received strong airplay in Australia and New Zealand, as well as being added to the BBC Radio 1 A-List playlist in the UK.
"Please Don't Let Me Go" is a song by British singer Olly Murs. Written by Murs, Claude Kelly and Steve Robson , the song served as the lead single from the X Factor runner-up's eponymous debut album and it was his debut single.
"Start Without You" is an uptempo R&B song which draws from reggae fusion and dancehall influences, [5] [6] with a length of three minutes and thirty-three seconds, penned by RedOne, Bilal Hajji, Savan Kotecha, and Julian Bunetta.
"Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals , which was a blues rock version; and in 1977 by the disco group Santa Esmeralda , which was a four-on-the-floor rearrangement.
He added, "Knee-deep with potential hits, the album's next logical single should be either the giddy rendition of Exile's "Kiss You All Over" or the spirited "Don't Make Me Live Without You"." [ 4 ] British magazine Music Week wrote, "Lively Latin numbers and luscious love songs, most underpinned by flamenco guitar, are assembled for a pleasing ...
Discover the best free online games at AOL.com - Play board, card, casino, ... For premium support please call: 800-290-4726 more ways to reach us. Sign in. Mail. 24/7 Help.
"Don't Let Me Get Me" is a song by American singer Pink. It was written by Pink and Dallas Austin and produced by the latter for her second studio album, Missundaztood (2001). The song was released as the second single from the album on February 18, 2002.
In 1955, MGM acquired the Johnnie Fair Syrup shows. Between January and May 1949, Williams had pre-recorded early morning radio shows for Johnnie Fair, and MGM issued several songs from the surviving acetates as singles to satisfy the perennial demand for product by the late country singer, who was quickly becoming a mythic figure in country music. [1]