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"Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances.
The Blues Project: Credited as "Bob Landy"; played treble piano on "Downtown Blues" [58] 1969 At San Quentin: Johnny Cash: Writer of Wanted Man: 1970 Little Fauss and Big Halsy: 1971 The Concert for Bangladesh: George Harrison & Friends Vocals and guitar on five songs Earl Scruggs Performing with His Family and Friends: Earl Scruggs
She reappeared in the 1970s, singing both solo and with the traveling Memphis Blues Caravan. She was also involved in the recording of an album, Memories of Beale Street: Prince Gabe and the Millionaires with the Original Memphis Sound. [1] Around this time a local restaurateur hired Glover to sing with the Blues Alley All Stars.
Memphis Blues is the eleventh studio album by American singer Cyndi Lauper, containing cover versions of classic blues songs. Regarded as a continuation of her 2008 comeback, the album was a nominee for the Grammy Awards 2010 and was released on her 57th birthday, June 22, 2010.
Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, [4] by Columbia Records.Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks.
Hattie Hart (c. 1900 - after 1946) [2] was an American Memphis blues singer and songwriter. She was active as a recording artist from the late 1920s to the mid-1930s. Her best known tracks are "I Let My Daddy Do That" and "Coldest Stuff in Town".
Four tracks from the album ("I Threw It All Away," "Stuck inside of Mobile with the Memphis Blues Again," "Oh, Sister," and "Lay, Lady, Lay") were recorded on May 16, 1976, in Fort Worth, Texas. [5] "Although the band has been playing together longer, the charm has gone out of their exchanges," writes music critic Tim Riley.
She began performing in clubs in St. Louis, and in the mid-1960s joined a revue led by bandleader Oliver Sain.While visiting Memphis in 1968, she sang in a club with trumpeter Gene "Bowlegs" Miller, a popular local bandleader known for helping other musicians, such as the members of the Hi Rhythm Section who played on Peebles' recordings, get their start in the Memphis music industry.