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Basic Latin cross, version of Image:Christian_cross.svg, but with a transparent background. License. I, ... Height: 695.3866 This page was ...
More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available.. Albanians; Anabaptism; Anglicanism; Apostles' Creed
Cross with a longer descending arm, whereby the top of the upright shaft extends above the transverse beam. It represents the cross of Jesus's crucifixion. In Latin, it was referred to as crux immissa or crux capitata. Greek (or Hellenic) cross A type of cross with arms of equal length, used as a national symbol of Greece, Switzerland, and ...
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre , a New Testament scholar and professor at Duke University.
The work depicts Jesus carrying the cross above a dark background, primarily with black and red tones, [13] surrounded by numerous heads. This painting focuses solely on the face and hands as a source of emotional expression, bodies being faded into the dark background. [14] Most of the heads are characterized with grotesque features.
English: Jesus Taken Down From the Cross, by Henry Ossawa Tanner. From Lot-Art: "LOT 1005 School Of Tanner School of Tanner. Sorrow at the Crucifixion. Mother Mary and Mary Magdalene with crosses in the background. Crown of thorns can be seen by their side. Framed. Medium: Oil on Canvas. Size: 23 x 31 in. Signature: Unsigned."
Christ of the Ozarks statue is a monumental sculpture of Jesus located near Eureka Springs, Arkansas, atop Magnetic Mountain. It was erected in 1966 as a "Sacred Project" by populist and white supremacist Gerald L. K. Smith .
Christ Crucified (Spanish: Cristo crucificado) is a 1780 oil-on-canvas painting of the crucifixion of Jesus by Spanish Romantic painter Francisco de Goya. He presented it to the Real Academia de Bellas Artes de San Fernando as his reception piece as an academic painter. It now forms part of the collection of the Prado Museum, in Madrid.