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  2. Blue Poles - Wikipedia

    en.wikipedia.org/wiki/Blue_Poles

    Blue Poles, also known as Number 11, 1952, is an abstract expressionist painting by American artist Jackson Pollock. It was purchased amid controversy by the National Gallery of Australia in 1973 and today remains one of the gallery's major paintings.

  3. Jackson Pollock - Wikipedia

    en.wikipedia.org/wiki/Jackson_Pollock

    The artwork contains only a fleeting reference to the real world and Blue Poles has become the flagship of autonomous art. [77] Blue Poles was a centerpiece of the Museum of Modern Art's 1998 retrospective in New York, the first time the painting had been shown in America since its purchase.

  4. Category:Paintings by Jackson Pollock - Wikipedia

    en.wikipedia.org/wiki/Category:Paintings_by...

    Blue Poles (Jackson Pollock painting).jpg 485 × 206; 55 KB. No. 5, 1948.jpg 221 × 449; 50 KB This page was last edited on 3 September 2016, at 23:12 (UTC). ...

  5. The real (and disturbing) meaning behind barber poles

    www.aol.com/article/lifestyle/2018/06/13/the...

    Those rotating red, white, and blue poles outside barbershops have become an icon. At first glance, you’d probably assume barber pole designs have a patriotic background. But the reality is ...

  6. One: Number 31, 1950 - Wikipedia

    en.wikipedia.org/wiki/One:_Number_31,_1950

    One: Number 31, 1950's juxtaposition of subdued colors with splattering of paint on top represents an indispensable example of Abstract Expressionist artwork. [1] Art historian Stephen Policari considered Pollock's poured painting to represent “a kind of frozen dynamic equilibrium of endless rhythm and energy” and believed the different combinations of curves and straight lines interacted ...

  7. No. 5, 1948 - Wikipedia

    en.wikipedia.org/wiki/No._5,_1948

    The painting was modified by Pollock after it was originally created. During January 1949, it was being shown in a solo Pollock show at the Betty Parsons gallery. It was from here that Alfonso A. Ossorio decided to purchase a "paint drip" composition; he chose No. 5, 1948 and paid $1,500.