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Mechanical Paradise – how the development of technology influenced art between 1880 and end of World War I. Cubism and Futurism. Cézanne, Picasso, Braque, Gris, Leger, Delaunay, Marinetti, Boccioni, Balla, Severini, Picabia, Duchamp; The Powers That Be [Shapes of Dissent] – examining the relationship between modern art and authority.
Dadaism preceded Surrealism, where the theories of Freudian psychology led to the depiction of the dream and the unconscious in art in work by Salvador Dalí. Kandinsky's introduction of non-representational art preceded the 1950s American Abstract Expressionist school, including Jackson Pollock, who dripped paint onto the canvas, and Mark Rothko, who created large areas of flat colour.
The strands of thought that eventually led to modern art can be traced back to the Enlightenment. [b] The modern art critic Clement Greenberg, for instance, called Immanuel Kant "the first real Modernist" but also drew a distinction: "The Enlightenment criticized from the outside ... . Modernism criticizes from the inside."
Contemporary art is a term used to describe the art of today, generally referring to art produced from the 1970s onwards. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world.
Others see modernist art, for example in blues and jazz music, as a medium for emotions and moods, and many works dealt with contemporary issues, like feminism and city life. Some artists and theoreticians even added a political dimension to American modernism. American modernist design and architecture enabled people to lead a modern life.
Visual art has made the most complete break with its past. Most major capital cities have museums devoted to modern art as distinct from post-Renaissance art (c. 1400 to c. 1900). Examples include the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. These galleries make no distinction between ...
The neo-classical subject matter, limited by Academic tradition to Greek and Roman legends, historical battles and Biblical stories, seemed oppressively clichéd and limited to artists eager to explore the actual world in front of their own eyes revealed by the camera - daily life, candid groupings of everyday people doing simple things, Paris ...
In his study on the relationship between modern art and radical politics, Social Radicalism and the Arts, Donald Drew Egbert argued that in fact, modern artists were often most at home with an anarchist understanding of the position of the place of the artist in society than either a de-politicised Greenbergian or a Marxist understanding of the ...