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The Bauer Bodoni typeface, with samples of the three of the fonts in the family: Roman (or regular), bold, and italic.. In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design.
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
A glyph (/ ɡ l ɪ f / GLIF) is any kind of purposeful mark.In typography, a glyph is "the specific shape, design, or representation of a character". [1] It is a particular graphical representation, in a particular typeface, of an element of written language.
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...
The term may have derived from the architectural definition, which is neither Greek nor Roman, [99] and from the extended adjective term of "Germany", which was the place where sans-serif typefaces became popular in the 19th to 20th centuries. [100] Early adopters for the term includes Miller & Richard (1863), [citation needed] and J. R. M ...
A revolving type case for wooden type in China, an illustration shown in a book published in 1313 by Wang Zhen Korean movable type from 1377 used for the Jikji. Although typically applied to printed, published, broadcast, and reproduced materials in contemporary times, all words, letters, symbols, and numbers written alongside the earliest naturalistic drawings by humans may be called typography.
Beauty is said to be in the eye of the beholder, but do different countries, with their different cultural values, have different ideas of what is beautiful?
Poem typeset with generous use of decorative dingbats around the edges (1880s). Dingbats are not part of the text. In typography, a dingbat (sometimes more formally known as a printer's ornament or printer's character) is an ornament, specifically, a glyph used in typesetting, often employed to create box frames (similar to box-drawing characters), or as a dinkus (section divider).