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A soprano (Italian pronunciation: [soˈpraːno]) is a type of classical singing voice and has the highest vocal range of all voice types.The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C 4) = 261 Hz to "high A" (A 5) = 880 Hz in choral music, or to "soprano C" (C 6, two octaves above middle C) = 1046 Hz or higher in operatic music.
The soprano saxophone is also sometimes confused with the B ♭ clarinet. The clarinet has a distinctly different timbre, is usually much quieter, can play an augmented fourth lower and is commonly played as much as a fifth higher (though the soprano saxophone can also be played this high with altissimo, it is uncommon for a player to do so ...
Most soprano roles do not extend above C6 although there are several standard soprano roles that call for D6. At the highest extreme, some coloratura soprano roles may reach to F6 (the F above high C). [7] Soprano tessitura: The tessitura of the soprano voice lies higher than all the other voices except the sopranino. In particular, the ...
A sopranist is able to sing in the soprano vocal range which is approximately between C 4 and C 6, though at times may expand somewhat higher or lower. Men of all voice types can possess the wide-ranged and effective falsetto or head voice needed to produce the contralto, mezzo-soprano and soprano vocal ranges. Some countertenors can sing up ...
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera.
The general vocal range of an adult female soprano is C 4 –C 6 (highlighted), with notes unreachable by an average Treble marked in red (B 5 –C 6).. Most trebles have a comfortable range from the A below "middle C" (A 3, 220 Hz) to the F one and a half octaves above "middle C" (F 5, 698 Hz), [10] roughly corresponding to an adult male baritone range, up one octave.
For example, the tessitura of a soprano voice is roughly C 4 –C 6, while the tessitura of a soprano recorder is C 5 –C 7. Modern variations include standard British terminology, due to Arnold Dolmetsch, which refers to the recorder in C 5 (soprano) as the descant and the recorder in F 4 (alto) as the treble. As conventions and instruments ...
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.