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Guests are invited to enter exhibits like Roy Lichtenstein’s “Pavilion” and Salvador Dalí’s “Dalídom,” which utilize glass and mirrors, respectively, for the classic funhouse experience.
The New York–Dublin Portal (also simply known as The Portal) is an interactive installation created by Lithuanian artist Benediktas Gylys to allow people in New York City and Dublin to interact with each other using two 24-hour live streaming video screens (without audio).
The aspect of paranoia that Dalí was interested in and which helped inspire the method was the ability of the brain to perceive links between things which rationally are not linked. Dalí described the paranoiac-critical method as a "spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations ...
After being first exhibited in Rome in 1954, Corpus Hypercubus was acquired in 1955 by the Metropolitan Museum of Art in New York City, where it was renamed Crucifixion. After nearly 25 years, the painting was loaned to the Centre Georges Pompidou in Paris, the Daimaru Museum in Osaka, and the Tate Gallery in London from December 1979 until ...
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The artist Roy Ascott elaborated an extensive theory of cybernetic art in "Behaviourist Art and the Cybernetic Vision" (Cybernetica, Journal of the International Association for Cybernetics (Namur), Volume IX, No.4, 1966; Volume X No.1, 1967) and in "The Cybernetic Stance: My Process and Purpose" (Leonardo Vol 1, No 2, 1968).
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