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The music of Eritrea, is a diverse mix of traditional and popular styles originating from ancient to modern times.The nine major ethnic groups of Eritrea—Afar, Bilen, Hedareb, Kunama, Nara, Rashaida, Saho, Tigre and Tigrinya—celebrate autonomous music-making expressed through a rich heritage of vocalists, instrumentalists and activities within the country and throughout the international ...
The following list of Eritrean artists (in alphabetical order by last name) includes artists of various genres, who are notable and are either born in Eritrea, ...
With a relaxed, stylish persona, she presents an ideal of modern Eritrea. [3] Abraha was one of the performers at the 5th Eri Youth Festival, held in the SAWA Defence Training Center, Eritrea on 13–15 July 2012. [4] [5] Other acts at the festival included the Eriam Sisters and Helen Meles. [6] [7]
An Eritrean krar and masinqo is a common instruments in Eritrea. Eritrea has nine ethnic groups, each of which have their own different styles of music and accompanying dances. A common instrument used by many of the communities is the drum. Amongst the Tigray-Tigrinya, the best known traditional musical genre is called guaila.
Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .
Abeba Haile (Tigrinya: ኣበባ ሃይለ; born August 2, 1970) is a prominent Eritrean singer. She has produced albums in the Tigrinya language, she was also in the Eritrean people liberation front which is a military organization that liberated the country from Ethiopian colonialism. Abeba Haile joined the organization when she was young ...
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A kebero (Amharic and Tigrinya: ከበሮ) is a double-headed, conical hand drum used in the traditional music of Eritrea, Sudan and Ethiopia.A piece of animal hide is stretched over each end of the instrument, thus forming a membranophone.