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The term "magic" in the Middle Ages encompassed a variety of concepts and practices, ranging from mystical rituals calling upon supernatural forces to herbal medicine and other mundane applications of what are today considered the natural sciences. [1]
For medieval women, mysticism was "a succession of insights and revelations about God that gradually transformed the recipient" according to historian Elizabeth Petroff of Oxford University in her 1994 book, Body and Soul. [1] The word "mysticism" has its origin in ancient Greece where individuals called the mystae participated in mystery ...
Academic scholars regard it as a synthesis from the Middle Ages, when it appeared between the 13th-15th centuries, but assimilating and incorporating into itself earlier forms of Jewish mysticism, possible continuations of ancient esoteric traditions, [2] as well as medieval philosophical elements.
One societal force in the Middle Ages more powerful than the singular commoner, the Christian Church, rejected magic as a whole because it was viewed as a means of tampering with the natural world in a supernatural manner associated with the biblical verses of Deuteronomy 18:9–12. Despite the many negative connotations which surround the term ...
The Friends of God (German: Gottesfreunde; or gotesvriunde) was a medieval mystical group of both ecclesiastical and lay persons [1] within the Catholic Church (though it nearly became a separate sect) and a center of German mysticism.
During the early modern period, the definition of mysticism grew to include a broad range of beliefs and ideologies related to "extraordinary experiences and states of mind". [3] In modern times, "mysticism" has acquired a limited definition, with broad applications, as meaning the aim at the "union with the Absolute, the Infinite, or God".
The High Middle Ages was the formative period in the history of the modern Western state. Kings in France, England, and Spain consolidated their power and established lasting governing institutions. [186] New kingdoms such as Hungary and Poland, after their conversion to Christianity, became Central European powers. [187]
The Middle Ages in art: a Pre-Raphaelite painting of a knight and a mythical seductress, the lamia (Lamia by John William Waterhouse, 1905). Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles ...