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Patrick directed holiday shows at La MaMa in 1971, 1972, and 1974. The 1971 production was called La MaMa Christmas Show, [11] the 1972 production was Play-by-Play, [12] and the 1974 production was Play-by-Play: A Spectacle of Ourselves. [13] In 1973, he directed Paul Foster's Silver Queen, which featured music by John Braden, at La MaMa. [14]
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of fringe theatre shows including ...
Summary: A one-act drama about several generations of one family: A play whose action [1] traverses ninety years and represents in accelerated motion ninety Christmas dinners in the Bayard home. The development of the countryside, the changes in customs and manners during this period of time as well as the growth of the Bayard family and their ...
Season's Greetings is a 1980 play by British playwright Alan Ayckbourn. It is a black, though often farcical, comedy about four days in the life of a dysfunctional family starting on Christmas Eve, and is set in a typical English suburban house.
El Teatro was known for touring migrant camps with their actos, one-act plays, which were usually around fifteen minutes long. The plays were used to educate and inform not only the farm workers, but also the public. Valdez believed that humor was a major asset to his plays in El Teatro Campesino as it was a tool to lift the morale of strikers. [5]
Thornton Niven Wilder (April 17, 1897 – December 7, 1975) was an American playwright and novelist (and occasional actor in his own plays.) He won three Pulitzer Prizes, for the novel The Bridge of San Luis Rey and for the plays Our Town and The Skin of Our Teeth, and a U.S. National Book Award for the novel The Eighth Day.
A much longer version of the piece first aired on December 20, 1996, on the Public Radio International program This American Life. [4] In 1996, Joe Mantello adapted Sedaris' essay for the stage as a one-man, one-act play, which debuted (as The Santaland Diaries) at the Atlantic Theater Company in New York City on November 7, 1996. [5]
The play is derived from a one-act titled Some Problems for the Moose Lodge (published in 2011 in The Magic Tower & Other One-Act Plays) that was staged—together with A Perfect Analysis Given by a Parrot and The Frosted Glass Coffin—under the umbrella title Tennessee Laughs by the Goodman Theatre in 1980.