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In waltz dances it may mark the 1st and the 4th eighths of the measure, producing a 2 4 overlay beat over the 3 4 time. In other words, when a 3 4 measure is cued as "one, two-and three", the canter rhythm marks "one" and "and". This rhythm is the basis of the Canter Waltz. In modern ballroom dancing, an example is the Canter Pivot in the ...
The follower dances the same pattern but offset by a bar: side, behind, side, in front, side, in front. It is normal for a couple to move to the center of the dancefloor before dancing fleckerls, since this means that other dancers (who, in the Viennese waltz, are continually moving around the floor at high speed) do not have to make avoiding ...
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Box step is a basic dance step named after the pattern it creates on the floor, which is that of a square or box. It is used in a number of American Style ballroom dances: rumba, [1] waltz, [2] bronze-level foxtrot. While it can be performed individually, it is usually done with a partner. This is the most common dance step in the waltz.
Dance patterns may be described according to combinations of quick and slow steps and often by the rhythm or meter of the music, for example waltz steps (three-count step patterns danced to waltz music), swing steps (four-count patterns danced to swing music), polka steps (four-count patterns danced to polka music), and shuffle steps (four ...
The second half of the six-count pattern begins with a small leaping step (count 4) along the line of dance, so the leader faces forward on the line of dance. The left leg now reaches straight forward (count 5; pointing left toe, bending right knee, etc.), directly under the partner's right leg, which is extended back.
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The chassé (, French for 'to chase'; sometimes anglicized to chasse / ʃ æ ˈ s eɪ, ʃ æ s /) is a waltz ballroom dance figure. Like chassés in other dances, it involves a triple-step where one foot "chases" the other in a "step-together-step" pattern. It is derived from a ballet step. [1]