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The oyster dress, a beige chiffon gown whose skirt resembles an oyster shell, as displayed during the exhibition Alexander McQueen: Savage Beauty (2011). Irere (Spring/Summer 2003) was the twenty-first collection by British fashion designer Alexander McQueen for his eponymous fashion house.
She found it commercial in a positive way, highlighting the wearability of the bias-cut dresses. [33] In a 2015 retrospective, Dazed magazine called Merry-Go-Round one of McQueen's darkest shows. [87] Fashion theorists Adam Geczy and Vicki Karaminas regard What a Merry-Go-Round as "unjustly overshadowed" by the preceding collection, Voss. [88]
Shell of a Pacific oyster. The "oyster dress" is a reinterpretation of a 1987 design by John Galliano called the "shellfish dress". [28] [29] Galliano's shellfish dress was named for its layers of "pearl grey" organza ruffles that resembled stacked clamshells, a technically complex design that was actually executed by costumier Karen Crichton. [30]
With a current stock of over 100 wedding dresses, Puccio has witnessed a near-constant stream of brides-to-be visit the library in hopes of saying “yes” to a dress among the stacks.
Excerpt of the illusion of Kate Moss from the runway show of The Widows of Culloden The illusion of Kate Moss is an art piece first shown at the conclusion of the Alexander McQueen runway show The Widows of Culloden (Autumn/Winter 2006). It consists of a short film of English model Kate Moss dancing slowly while wearing a long, billowing gown of white chiffon, projected life-size within a ...
Burton was born in Macclesfield, Cheshire, one of five children of Anthony and Diana Heard. [1] [5] She attended Withington Girls' School in Manchester.[4] [5] After completing an art foundation course at Manchester Polytechnic, [7] and opting to pursue fashion over studies in fine art, she studied Print Fashion at the Central Saint Martins College of Art and Design in London. [5]