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The history of religious Jewish music is about the cantorial, synagogal, and the Temple music from Biblical to Modern times. The earliest synagogal music was based on the same system as that used in the Temple in Jerusalem. According to the Mishnah, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers.
There exist both traditions of religious music, as sung at the synagogue and in domestic prayers, and of secular music, such as klezmer. While some elements of Jewish music may originate in biblical times ( Biblical music ), differences of rhythm and sound can be found among later Jewish communities that have been musically influenced by location.
Sylvan Sholom Kalib (July 24, 1929 – January 15, 2025) was an American music theorist, musicologist, cantor, conductor, pedagogue and composer. [1] His primary work falls broadly into two categories: 1) Schenkerian music theory and 2) the musical tradition of the Eastern European synagogue.
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Within the traditional Jewish community, cantoral and chasiddic melodies were the musical standard. In the 1950s and early 1960s recordings began to be made of non-cantorial Jewish music, beginning with Ben Zion Shenker's recording of the music of the Modzitz chassidic sect [2] and Cantor David Werdyger's Gerrer recordings.
Jack A. Kessler (1944 – September 20, 2024) was an American hazzan, musician, and educator.After working as a cantor for synagogues for 20 years, he organized several musical ensembles including Atzilut, a group of Jewish and Arab musicians, which toured venues around the world including the United Nations. [1]
Hashkiveinu is the result of a commissioning project from 1943 to 1976 by Cantor Dr. David Putterman for a series of contemporary music at Park Avenue Synagogue in New York City. Putterman believed strongly that the synagogue music—particularly American synagogue music—would only endure through adaptation and creativity.
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