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Send Me No Flowers is a 1964 American romantic comedy film directed by Norman Jewison from a screenplay by Julius Epstein, based on the play of the same name by Norman Barasch and Carroll Moore, which had a brief run on Broadway in 1960. [2] It stars Rock Hudson, Doris Day, and Tony Randall.
Hudson also found continued success with a string of romantic comedies co-starring Doris Day: Pillow Talk (1959), Lover Come Back (1961), and Send Me No Flowers (1964). During the late 1960s, his films included Seconds (1966), Tobruk (1967), and Ice Station Zebra (1968).
Day, Hudson and Randall appeared in three movies together, the others being Pillow Talk (1959) and Send Me No Flowers (1964). The story is similar to that of Pillow Talk in that it includes mistaken identity as a key plot device.
Moonstruck is a 1987 American romantic comedy film directed by Norman Jewison and written by John Patrick Shanley.It stars Cher as a widowed Italian American woman who falls in love with her fiancé's hot-tempered, estranged younger brother, played by Nicolas Cage.
Premabhishekam (transl. Anointing of Love) is a 1981 Indian Telugu-language romantic drama film written and directed by Dasari Narayana Rao.This film is inspired by 1964 Hollywood Movie Send Me No Flowers by Norman Barasch and Carroll Moore and produced by Annapurna Studios, it stars Akkineni Nageswara Rao, Jayasudha, Sridevi, Murali Mohan, Mohan Babu and music composed by Chakravarthy.
A prequel to 2014’s Flowers in the Attic and its sequel, Petals on the Wind, The Origin begins in 1920 with a younger Olivia Winfield (played by The Girlfriend Experience’s Jemima Rooper ...
The Thrill of It All is a 1963 American romantic comedy film directed by Norman Jewison and starring Doris Day and James Garner, with a supporting cast featuring Carl Reiner, Arlene Francis, Reginald Owen and ZaSu Pitts.
Norman Barasch (February 18, 1922 - August 13, 2019) was an American playwright, producer and screenwriter.He was co-author, with Carroll Moore, of the play Send Me No Flowers, which was the basis for the 1964 film of the same name. [1]