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Trailblazer was supported by 30-foot (9.1 m) high inverted J-shaped steel towers spaced 100 feet (30 m) apart. The suspended vehicle ran 18 feet (5.5 m) above the ground on pneumatic tires with a maximum speed of ten miles per hour (16 km/h); however, the system at Fair Park was limited by the acceleration possible between stations.
Jim Campbell (born 1956 in Chicago, Illinois) is a contemporary San Francisco based artist who is known for his LED light works. [1] Campbell began his artistic career in film making but switched to electronic sculpture in 1990 and started making his iconic LED matrix works in 2000. [2]
Trailblazer was a United States National Security Agency (NSA) program intended to develop a capability to analyze data carried on communications networks like the Internet. It was intended to track entities using communication methods such as cell phones and e-mail.
2002–2005 Chevrolet TrailBlazer, with modification to meet Japanese standards. The first-generation TrailBlazer is based on a truck platform officially known as GMT360, with all models having four-wheel-drive layout as an option with both automatic engagement and the more traditional "Auto," "2-High," "4-High," and "4-Low" gearings, except the SS model which features an all-wheel-drive system.
Learn how to download and install or uninstall the Desktop Gold software and if your computer meets the system requirements. AOL APP News / Email / Weather / Video
Lunar Trailblazer is a planned small (class D) lunar orbiter, part of NASA's SIMPLEx program, that will detect and map water on the lunar surface to determine how its form, abundance, and location relate to geology. [3] Its mission is to aid in the understanding of lunar water and the Moon's water cycle.
The Backstreet Boys, who are the first pop act to headline at Sphere, are bringing their iconic album to life, alongside a number of their greatest hits and “cutting-edge visuals and sound made ...
Blast Theory's work has been influential in the fields of theatre, indie games, ARGs and mobile design. Desert Rain was described as ""one of the most complex and powerful responses to the first Gulf War to be produced within the sphere of theatrical practice" [13] and "possibly the most technologically ambitious art installation ever made" in The Times.