Ads
related to: ancient greek art of women and children
Search results
Results From The WOW.Com Content Network
Some of this art may have been produced by women and children. [14] Although the art produced (particularly pottery, grave stelai and figurines) was used by a wider range of people than much Athenian literature was—including women and children [14] —it is not known how accurately the iconography of classical art mapped the reality of ...
Greek coins are the only art form from the ancient Greek world which can still be bought and owned by private collectors of modest means. The most widespread coins, used far beyond their native territories and copied and forged by others, were the Athenian tetradrachm , issued from c. 510 to c. 38 BC , and in the Hellenistic age the Macedonian ...
Family scene in a gynaeceum – painted on a lèbes gamikòs about 430 BC. In Ancient Greece, the gynaeceum (Greek: γυναικεῖον, gynaikeion, from Ancient Greek γυναικεία, gynaikeia: "part of the house reserved for the women"; literally "of or belonging to women, feminine") [1] or the gynaeconitis (γυναικωνῖτις, gynaikōnitis: "women's apartments in a house") [2 ...
Dancing Maenad Roman copy of Greek original attributed to Kallimachos c. 425 –400 BCE at the Metropolitan Museum of Art. In Greek mythology, maenads (/ ˈ m iː n æ d z /; Ancient Greek: μαινάδες) were the female followers of Dionysus and the most significant members of his retinue, the thiasus.
A caryatid (/ ˌ k ɛər i ˈ æ t ɪ d, ˌ k ær-/ KAIR-ee-AT-id, KARR-; [1] Ancient Greek: Καρυᾶτις, romanized: Karuâtis; pl. Καρυάτιδες, Karuátides) [2] is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head.
Spartan women were famous in ancient Greece for seemingly having more freedom than women elsewhere in the Greek world. To contemporaries outside of Sparta, Spartan women had a reputation for promiscuity and controlling their husbands. Spartan women could legally own and inherit property, and they were usually better educated than their Athenian ...
Euripides (c. 480 – c. 406 BC) is one of the authors of classical Greece who took a particular interest in the condition of women within the Greek world. In a predominantly patriarchal society, he undertook, through his works, to explore and sometimes challenge the injustices faced by women and certain social or moral norms concerning them.
Archaeological evidence collected by Haigh [4] and Lucas [5] and more recently by Hughes seems to point to the direction that women were in fact admitted to tragedy, and probably even to comedy. Dover added that women, like children, foreigners and slaves, could take a seat only after male citizens were accommodated. [6]