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The character is believed to be derived from the Buddhist bodhisattva Guanyin. [2] [3] Chinese scholars generally believe that Cihang Zhenren is the origin of Guanyin's male form and that the transition of Guanyin from male to female occurred during the Northern and Southern Dynasties period. [4]
A popular image of Guanyin as both Guanyin of the South Sea and Guanyin with a Fish Basket can be seen in late 16th-century Chinese encyclopedias and in prints that accompany the novel Golden Lotus. In Chinese art, Guanyin is often depicted either alone, standing atop a dragon, accompanied by a white cockatoo and flanked by two children or two ...
In Buddhism, Ekādaśamukha (Sanskrit: एकादशमुख, IPA: [eːˈkɑːd̪ɐɕɐmukʰɐ], lit."Eleven-Faced"; Chinese (Traditional): 十一面觀音; Simplified: 十一面观音; pinyin: Shíyīmiàn Guānyīn; Japanese: 十一面観音, Jūichimen Kannon) is a bodhisattva and a manifestation of Avalokiteśvara (known in Chinese as Guanyin), counted as one of six forms of the ...
In East Asian Buddhism, the Six Guanyin (Chinese 六觀音 (traditional) / 六观音 (), pinyin: Liù Guānyīn; Korean: 육관음, Yuk Gwaneum; Japanese: 六観音, Roku Kannon, Rokkannon; Vietnamese: Lục Quán Âm) is a grouping of six manifestations of the bodhisattva Avalokiteśvara, known as Guanyin (Guanshiyin) in Chinese and Kannon (Kanzeon) in Japanese.
In Chinese Buddhism, the Cintāmaṇicakra Dhāraṇī or Cintāmaṇi Cakravarti Dhāraṇī (如意寶輪王陀羅尼; pinyin: Rúyì Bǎolún Wáng Tuóluóní) is reckoned as one of the Ten Small Mantras (十小咒; pinyin: Shí xiǎo zhòu), a collection of mantras and dhāraṇīs commonly recited in temples during morning liturgical ...
Chapter 18 of the Complete Tale of Guanyin and the Southern Seas (traditional Chinese: 南海觀音全撰; simplified Chinese: 南海观音全撰; pinyin: Nánhǎi Guānyīn Quánzhuàn), a 16th-century Ming dynasty novel, is the first text that established a connection between Shancai and Guanyin. In the tale, Shancai was a disabled boy from ...
Guanyin Yulan Ji or simply Yulan Ji is a Ming dynasty play with 32 acts. The written version was first published by Wenlinge (文林閣), a Nanjing publisher owned by a Tang (唐) family during the Wanli era (1573–1615).
The Hall of Guanyin or Guanyin Hall (simplified Chinese: 观音阁; traditional Chinese: 觀音閣; pinyin: Guānyīngé or simplified Chinese: 观音殿; traditional Chinese: 觀音殿; pinyin: Guānyīndiàn) is the most important annex halls in Chinese Buddhist temples and mainly for enshrining Guanyin (Avalokiteśvara). [1]