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The Serbian folk music is both rural (izvorna muzika) and urban (starogradska muzika) and includes a two-beat dance called kolo, which is a circle dance with almost no movement above the waist, accompanied by instrumental music made most often with an accordion, but also with other instruments: frula (traditional kind of a recorder), tamburica ...
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Slobodan Trkulja (pronounced [sloˈbǒdan ˈtř̩kuʎa]; born 29 May 1977) [1] is a Serbian multi-instrumentalist, composer and singer in traditional and Byzantium style. Trkulja is one of the first artists who composed, performed, and popularized Balkan Traditional Music with a modern approach in arrangements.
Starogradska music uses instruments such as violins and clarinets instead of ones associated with more rural music, such as gajda. While rural folk performers usually wear traditional village costumes , starogradska music performers are usually dressed in European old city fashions, including suits , hats and neckties , as well as accessories ...
Serbian folk music (Serbian: српска народна музика / srpska narodna muzika) refers to, in the narrow sense, the "older" style of Serbian folk music, predating the "newer" (Serbian: новокомпонована / novokomponovana, "newly composed") style which emerged in the 1970s and 1980s as a result of urbanisation.
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In 1990, Serbian and Yugoslav folk singer Vera Ivković released a version of the song on the album Mladost peva. [7] In 1990, Serbian and Yugoslav folk singer Vasilija Radojčić released a version of the song on the album Na Uskrs sam se rodila. [8] In 1994, Serbian folk band Legende released a version of the song on the album Uspomene. [9]
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