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Transition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 13-16 Play ⓘ. [1] Transition in the exposition of Mozart's Sonata in C Major, K. 309, I, mm. 21-32 Play ⓘ Transition in the recapitulation of Mozart's Sonata in C Major, K. 309, I, mm. 116-126 Play ⓘ A transition is a passage of music composed to link one section of music to ...
Classical music was known for its clarity and regularity of structure, or "natural simplicity", thought of as an elegant international musical style with balanced four-bar phrases, clear-cut cadences, repetition, and sequence. [1] Sonata form was the foundation for a large number of pieces which provided a foundation for the new era of Romanticism.
In musical theater, a vamp, or intro, is the few bars, one to eight, of music without lyrics that begin a printed copy of a song. [35] The orchestra may repeat the vamp or other accompaniment during dialogue or stage business, as accompaniment for onstage transitions of indeterminate length.
In audio/visual media, a segue is a transition from a song, scene or topic to another one. A segue allows the disc jockey, director or show host to naturally proceed from one song or scene or topic to another without jarring the audience. A good segue makes the transition look natural and effortless, such as from one live event to another.
A musical form in which a certain section returns repeatedly, interspersed with other sections: ABACA is a typical structure or ABACABA roulade (Fr.) A rolling (i.e. a florid vocal phrase) rubato Stolen, robbed (i.e. flexible in tempo), applied to notes within a musical phrase for expressive effect ruhig (Ger.) Calm, peaceful run
Ellas Otha Bates (December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist and singer who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, [3] the Beatles, the Rolling Stones, [4] the Animals, George Thorogood, Syd Barrett, [5] and ...
In 1957 ("Seventh Transition"), early one morning, college-attending Frank and Charley are on the roof of an apartment building on New York City's 110th Street, waiting to spot the first-ever Earth-orbiting satellite, Sputnik. Frank tells Charley how much he likes Charley's plays and proposes that they turn one, a political satire, into a musical.
Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. Oxford & New York: Oxford University Press. ISBN 0-460-86150-6. Serna, Desi (2013). Guitar Theory for Dummies. Hoboken, New Jersey: John Wiley & Sons. ISBN 9781118646939. Smith, Charlotte (1989). A Manual of Sixteenth-Century Contrapuntal Style. Newark: University of ...