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Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires .
Microsoft Sans Serif Designer: Microsoft Class: Neo-grotesque : Montserrat Designer: Julieta Ulanovsky, Sol Matas, Juan Pablo del Peral, and Jacques Le Bailly Class: geometric : Myriad Designer: Robert Slimbach, Carol Twombly Class: Humanist : National Trust Designer: Paul Barnes Class: Humanist : News Gothic Designer: Morris Fuller Benton ...
Sans Serif: Proportional: Bold: Japanese 10 (v1809) Urdu Typesetting [6] Serif Proportional: Regular: Arabic 8 Utsaah [6] Sans Serif Proportional: Regular, Bold ...
Bitstream Vera Sans Mono [2] Cascadia Code: Century Schoolbook Monospace: Comic Mono [3] Computer Modern Mono/Typewriter [4] Consolas Class: Humanist : Courier [5] Cousine: DejaVu Sans Mono: Droid Sans Mono [6] Envy Code R [7] Everson Mono [8] Fantasque Sans: Fira Code [9] Fira Mono [10] Fixed: Fixedsys: FreeMono [11] Go Mono [12] Hack [13 ...
Sans-serif lettering and typefaces were popular due to their clarity and legibility at distance in advertising and display use, when printed very large or small. Because sans-serif type was often used for headings and commercial printing, many early sans-serif designs did not feature lower-case letters.
Google Fonts (formerly known as Google Web Fonts) is a computer font and web font service owned by Google.This includes free and open source font families, an interactive web directory for browsing the library, and APIs for using the fonts via CSS [2] and Android. [3]
The fonts were originally developed by Steve Matteson as Ascender Sans and Ascender Serif, and were also the basis for the Liberation fonts licensed by Red Hat under another open source license. [2] In July 2012, version 2.0 of the Liberation fonts, based on the Croscore fonts, was released under the SIL Open Font License. [6]
As a result, new styles of lettering and "display type" began to appear, such as "fat face" bold faces, sans serif letters, apparently inspired by classical antiquity, and then slab-serifs. [24] [3] [25] These letterforms were a new departure and not simply larger versions of traditional serif letters.