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In mathematics, a zero-dimensional topological space (or nildimensional space) is a topological space that has dimension zero with respect to one of several inequivalent notions of assigning a dimension to a given topological space. [1] A graphical illustration of a zero-dimensional space is a point. [2]
For an n-dimensional lattice, identifying n linearly independent commas reduces the dimension of the lattice to zero, meaning that the number of pitches in the lattice is finite; mathematically, its quotient is a finite abelian group. This zero-dimensional set of pitches is a periodicity block.
This gives a more concrete explanation for the utility of the definition of n-connectedness: for example, a space where the inclusion of the k-skeleton is n-connected (for n > k) – such as the inclusion of a point in the n-sphere – has the property that any cells in dimensions between k and n do not affect the lower-dimensional homotopy types.
The simplest pitch space model is the real line. A fundamental frequency f is mapped to a real number p according to the equation = + (/) This creates a linear space in which octaves have size 12, semitones (the distance between adjacent keys on the piano keyboard) have size 1, and middle C is assigned the number 60, as it is in MIDI. 440 Hz is the standard frequency of 'concert A', which ...
Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre, articulation, and musical phrasing are nearly universal to all instruments.
Spatial music is composed music that intentionally exploits sound localization. Though present in Western music from biblical times in the form of the antiphon , as a component specific to new musical techniques the concept of spatial music ( Raummusik , usually translated as " space music ") was introduced as early as 1928 in Germany.
An open cover of a topological space X is a family of open sets U α such that their union is the whole space, U α = X. The order or ply of an open cover A {\displaystyle {\mathfrak {A}}} = { U α } is the smallest number m (if it exists) for which each point of the space belongs to at most m open sets in the cover: in other words U α 1 ∩ ...
Thus Pythagorean tuning, which uses only the perfect fifth (3/2) and octave (2/1) and their multiples (powers of 2 and 3), is represented through a two-dimensional lattice (or, given octave equivalence, a single dimension), while standard (5-limit) just intonation, which adds the use of the just major third (5/4), may be represented through a ...