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The galliard was a favourite dance of Queen Elizabeth I of England, and although it is a relatively vigorous dance, in 1589 when the Queen was aged in her mid-fifties, John Stanhope of the Privy Chamber reported, "the Queen is so well as I assure you, six or seven galliards in a morning, besides music and singing, is her ordinary exercise."
The dance begins with a galliard. Then the couple makes a transition to a closed position. The leader (the man, according to period custom) lets go of his partner's hand and takes hold of her below her busk with one hand, and places the other hand on her back above the far hip. The follower places her near hand on top of her partner's near ...
Pierre-Francisque Caroubel (1556 – summer 1611 or 1615 [1]) was a French violinist and composer.He is known for his dance music, bransles (he composed "Le Branle De Montirande") and galliards.
There are references to dances such as the galliard or sinkapace, volta, coranto, pavane, and canario, and stage directions indicate dancing in many plays including Romeo and Juliet, Much Ado About Nothing, Twelfth Night, or What You Will, Macbeth, and As You Like It.
One dance for couples, a form of the galliard called volta, involved a rather intimate hold between the man and woman, with the woman being lifted into the air while the couple made a 3 ⁄ 4 turn. Other dances, such as branles or bransles, were danced by many people in a circle or line.
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
Galliard – Spirited dance in triple meter. Gavotte – French folk dance in quadruple meter, often with a moderate to quick tempo, and with a characteristic half-bar upbeat. Gigue – Lively baroque dance originating from the British jig, typically in compound meter. Loure – Slow French dance, often included in the Baroque suite.
The words are set to a dance-tune, a galliard. The song is associated with Robert Devereux, 2nd Earl of Essex , who was executed for treason in 1601 after he rebelled against Elizabeth I . The song is sometimes referred to as " The Earl of Essex Galliard" , although that title normally refers to an instrumental version, "The Earl of Essex, his ...