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"Cirrus Minor" has an unusual chord sequence: E minor, E flat augmented, G major, C♯ minor 7, C major 7, C minor 7 and B 7. The chords are built around the chromatically descending bass line. The B 7, C major 7 and G major chords are the only chords which fit into the functional context of the E minor key.
there's a rainbow in the sky, So let's have another cup of coffee, and let's have another piece of pie. The hit version was released in 1932 on the RCA Victor label (Victor 22936) by Fred Waring and his Pennsylvanians with vocals by Chick Bullock with the Three Waring Girls. [2]
The misleading term "fire rainbow" is sometimes used to describe this phenomenon, although it is neither a rainbow, nor related in any way to fire. The term, apparently coined in 2006, [ 3 ] may originate in the occasional appearance of the arc as "flames" in the sky, when it occurs in fragmentary cirrus clouds.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The circumzenithal arc, also called the circumzenith arc (CZA), the upside-down rainbow, and the Bravais arc, [1] is an optical phenomenon similar in appearance to a rainbow, but belonging to the family of halos arising from refraction of sunlight through ice crystals, generally in cirrus or cirrostratus clouds, rather than from raindrops.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll , but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin . The lyrics were written by Joseph McCarthy , and the song was published in 1917.
Coltrane used the "sheets of sound" lines to liquidise and loosen the strict chords, modes, and harmonies of hard bop, whilst still adhering to them (at this stage in his musical development). [7] Playing with the Miles Davis groups, in particular, gave Coltrane the free musical space in which to apply harmonic ideas to stacked chords and ...