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Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
Masks are most extensively used for Carnival, Holy Week and Day of the Dead and worn as part of an elaborate costume. [9] [26] Masks for Carnival vary widely and include old men, farmers, Afro-Mexicans, death and various animals. [30]
These masks generally portray Europeans as Carnival was a time that allowed the indigenous to poke fun of the conquistadors. [3] One noted family for this work is that of Pedro Reyes, which has made these masks for generations. The men shape the wood and the women paint and decorate. Each mask takes about 26 hours of work, making its price ...
Chhau masks are made by artists from the Sutradhar community. The making of a mask goes through various stages. 8–10 layers of soft paper, immersed in diluted glue, are pasted one after another on the mould before the mud mould is dusted with fine ash powder. The facial features are made of clay.
Illustration of a vejigante mask. A vejigante is a folkloric character in Puerto Rican festival celebrations, mainly seen during Carnival time. Traditional colors of the Vejigantes were green, yellow and red, or red and black. Today, Vejigantes wear brightly colored, ornate masks corresponding to the colors of their costumes that detail bat ...
Museo Nacional de la Máscara (National Mask Museum) is a museum in the city of San Luis Potosí dedicated to Mexico's masked dance and ritual heritage from the pre Hispanic period to the present. It is located in a former mansion on Plaza del Carmen, which became federal property in 1907, housing the current museum since 1982.