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The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
Palampore patterns were usually very complex and elaborate, depicting a wide variety of plants, flowers, and animals, including peacocks, elephants, and horses. Because a palampore was hand-created, each design is unique, but many featured a central flowering tree with a mound at the base where there may be animals.
The quilt had been stitched both by hand and by machine, and contained a border, as well as designs and intersecting lines outlining the panels. Each of the eleven panels of the quilt displayed a scene from the Bible, hence the name of the quilt. One panel contained a depiction of Adam and Eve in the Garden of Eden. The second, Eve and one of ...
The quilt blocks are repeated, or sometimes alternated with plain blocks, to form the overall design of a quilt. Barbara Brackman has documented over 4000 different quilt block patterns from the early 1830s to the 1970s in the Encyclopedia Of Pieced Quilt Patterns. [33] Some of the simpler designs for quilt blocks include the Nine-Patch, Shoo ...
A Hawaiian quilt is a distinctive quilting style of the Hawaiian Islands that uses large radially symmetric applique patterns. Motifs often work stylized botanical designs in bold colors on a white background. Hawaiian quilt appliqué is made from a single cut on folded fabric. Quilting stitches normally follow the contours of the appliqué design.
Echo quilting, where a quilted outline of the appliqué pattern is repeated like ripples out to the edge of the quilt, is the most common quilting pattern employed on Hawaiian-style quilts. Beautiful examples are held in the collection of the Bernice Pauahi Bishop Museum , Honolulu, Hawaii.
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Detail of Tristan from scene 7 Detail of King Mark from scene 7 Detail of rowers from scene 8. The imagery on the quilt resembles the narrative of chapters 17–19 of a 14th-century novella, La Tavola Rotonda o L'Istoria di Tristano, which describes the oppression of Cornwall by Languis of Ireland and his champion Amoroldo (a variation on "Morholt"), and the battle of Tristan on behalf of King ...