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Digital Media Academy, supported by Singapore Film Commission: $3,018 August 2006: The High Cost of Living: Leonard Lai Yok Wai: Digital Media Academy, supported by Singapore Film Commission: $877 7 September 2006: Singapore Dreaming (美满人生) Colin Goh/Yen Yen Wu: 5C Films: $452,586 October 2006: The Missing Star (La Stella che non c'è ...
Taxi! Taxi! (simplified Chinese: 德士当家; traditional Chinese: 德士當家; pinyin: déshì dāngjiā) is a 2013 Singaporean comedy film [3] based on the 2010 work Diary Of A Taxi Driver by Cai Mingjie, said to be "Singapore's most well-educated taxi-driver".
The Ghosts Must Be Crazy (Chinese: 鬼也笑; pinyin: Guǐ yě xiào) is a 2011 Singaporean comedy horror film directed by Mark Lee and Boris Boo. [2] It was released on 6 January 2011 for a sneak preview and was officially released the next day. [2]
The film was released to commemorate Singapore's fifty years of independence and was released in cinemas on 30 July 2015. It stars Qi Yuwu, Deanna Yusoff, Joanne Peh, James Seah, Sezairi Sezali, Mike Kasem, and Lim Kay Tong as Singapore's founding prime minister Lee Kuan Yew.
Ilo Ilo (Chinese: 爸媽不在家; literally: "Mom and Dad Are Not Home" [3]) is a 2013 Singaporean drama film.The debut feature of director Anthony Chen, the film features an international cast, including Singaporean actor Chen Tianwen, Malaysian actress Yeo Yann Yann, Filipino actress Angeli Bayani, and debut of child actor Koh Jia Ler.
The best free movie apps offer a wide variety of films and plenty of ways to watch them. Check out these top picks for alternatives to paid streaming services. 10 Best Free Movie Websites and Apps
The Tree is a 2001 Singaporean supernatural-mystery drama film directed by Daisy Chan, starring Zoe Tay, Francis Ng, Phyllis Quek, Tse Kwan Ho and Deng Mao Hui. Produced by Mediacorp Raintree Pictures, [1] the film was shot entirely in Singapore over 28 days [2] with a production budget of S$1.1 million. [3]
The Medium (also known as Medium Rare) is Singapore's first full-length English language film. It was released in local cinemas in late 1991 and produced by Singaporean Errol Pang. It was initially supposed to be directed by a Singaporean, Tony Yeow, then by an American, Stan Barret, and finally by Arthur Smith, who was British.