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Vietnamese art is visual art that, whether ancient or modern, originated in or is practiced in Vietnam or by Vietnamese artists. Vietnamese art has a long and rich history, the earliest examples of which date back as far as the Stone Age around 8,000 BCE .
This is a list of artists who were born in the Vietnam or whose artworks are closely associated with that country.. Artists are listed by field of study and then by family name in alphabetical order (review Vietnamese naming customs as the family name will display in the first name field, with exceptions including people of the diaspora), and they may be listed more than once on the list if ...
Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
The Vietnam National Museum of Fine Arts (Vietnamese: Viện Bảo tàng Mỹ thuật Việt Nam; chữ Hán: 院寶藏美術越南) is located in Hanoi, Vietnam. It is a museum showcasing Vietnam's fine arts from a range of historical periods. [1] It is the country's primary art museum, the second being the smaller Ho Chi Minh City Museum of ...
The remnants of classical Cham art extant today consist mainly in temples of brick, sandstone sculptures in the round, and sandstone sculptures in high and low relief. A few bronze sculptures and decorative items made of metal remain as well. There are no works of marble or other higher quality stone. Likewise there are no paintings or sketches.
The artistic form was revived and developed as a distinct genre of fine art painting by Vietnamese artists in the 1930s; the genre is known in Vietnamese as "sơn mài." [ 1 ] Badger Studying a Sutra by Shibata Zeshin (Japan)
Nón lá at Sầm Sơn market in 1905 A bhikkhunī in Huế is wearing a nón lá and riding a bicycle. Nón lá (chữ Nôm: 𥶄蘿; lit. ' Leaf hat ') or nón tơi (𥶄𥵖) is a type of Vietnamese headwear used to shield the face from the sun and rain. [1]
The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and ...