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Chiasmus was particularly popular in the literature of the ancient world, including Hebrew, Greek, Latin and K'iche' Maya, [7] where it was used to articulate the balance of order within the text. Many long and complex chiasmi have been found in Shakespeare [ 8 ] and the Greek and Hebrew texts of the Bible . [ 9 ]
Boomerang effect is sometimes also referred to the attribution/attitude boomerang effect. Researchers applied Heider's attribution theory [17] to explain why it would occur. For example, Skowronski, Carlston, Mae, and Crawford demonstrated association-based effects in their study on spontaneous trait transference. [18]
Alliterative Morte Arthure (Middle English)(c. 1375–1400) Divine Comedy (Christian mythology) by Dante Alighieri; Cursor Mundi (Middle English) by an anonymous cleric (c. 1300) Africa by Petrarch ; The Tale of the Heike, Japanese epic war tale; The Brus by John Barbour ; La Spagna (Italian) attributed to Sostegno di Zanobi (c. 1350–1360)
A common misconception is that the reveal itself is a Chekhov's gun plot element. There are however exceptions in the James Bond films; in Licence to Kill for example, Bond gets an instant camera with a built-in laser gun that takes X-ray pictures, but is immediately used for comedic effect and makes no further appearance in the film.
The contrasting three, where only the third has positive value, for example, The Three Little Pigs, two of whose houses are blown down by the Big Bad Wolf. The final or dialectical form of three, where, as with Goldilocks and her bowls of porridge, the first is wrong in one way, the second in an opposite way, and the third is "just right".
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
A 17th-century English Baroque school using extended conceit, often (though not always) about religion [18] [19] John Donne, George Herbert, Andrew Marvell: Cavalier Poets: 17th-century English Baroque royalist poets, writing primarily about courtly love, called Sons of Ben (after Ben Jonson) [20] Richard Lovelace, William Davenant: Euphuism