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Camille Saint-Saëns, Sonata for Oboe and Piano in D Major; Robert Schumann, Three Romances for Oboe and Piano; Karlheinz Stockhausen, In Freundschaft, for oboe, Nr. 46⅔, Wednesday from Light for oboe and electronic music (from Orchester-Finalisten, scene 2 of Mittwoch aus Licht) Richard Strauss, Oboe Concerto
Baroque oboe, Stanesby copy. The Oboe sonata in C minor (HWV 366) was composed (c. 1711–1712) by George Frideric Handel for oboe and basso continuo. The work is also referred to as Opus 1 No. 8, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii, 29; and HHA iv/18,32. [1]
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach 's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Camille Saint-Saëns's Oboe Sonata in D major, Op. 166 was composed in 1921, the year of the composer's death. This sonata is the first of the three sonatas that Saint-Saëns composed for wind instruments , the other two being the Clarinet Sonata (Op. 167) and the Bassoon Sonata (Op. 168), written the same year.
Piano Concerto, op. 18, with baritone and male choir in last movement (1938) Ferruccio Busoni. Piano Concerto in D, op. 17, for piano and string orchestra (1878) Piano Concerto in C, op. 39 (1902-4), with male chorus; Indian Fantasy, op.44, for piano and orchestra; Konzert-Fantasie, op.32 (1888–89), for piano and orchestra