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The Herald Angels Sing" has popularly been performed in an arrangement that maintains the basic original William H. Cummings harmonisation of the Mendelssohn tune for the first two verses, but adds a soprano descant and a last verse harmonisation for the organ in verse three by Sir David Willcocks.
A possible reference to Jewish practices of angelic tongues is 1 Corinthians 13:1 "If I speak in the tongues of men and of angels, but have not love, I am a noisy gong or a clanging cymbal." The distinction "of men" and "of angels" may suggests that a distinction was known to the Corinthians.
The theme of angels praising God was inserted into the passage by paytanim (Jewish liturgical poets). [4] Ophanim are mentioned in the El Adon prayer, often sung by the congregation, as part of the traditional Shabbat morning service. In the Jewish angelic hierarchy thrones and wheels are different. This is also true in the Kabbalistic angelic ...
Like the 1816 "Angels from the Realms of Glory", the lyrics of "Angels We Have Heard on High" are inspired by, but not an exact translation of, the traditional French carol known as "Les Anges dans nos campagnes" ("the angels in our countryside"), whose first known publication was in 1842. [3] The music was attributed to "W. M.".
The three panels. The Christ surrounded by angels stands against a golden background surrounded by black clouds. On his collar are the words Agyos Otheos (Holy God). The three precious stones which adorn the fibula of his mantle evoke the Holy Trinity: God the Father, God the Son and the Holy Spirit.
Let angels prostrate fall. Bring forth the royal diadem, Refrain: and crown him, crown him, crown him, crown him Lord of all! 2 O seed of Israel's chosen race now ransomed from the fall, hail him who saves you by his grace, Refrain 3 Let every tongue and every tribe responsive to his call, to him all majesty ascribe, Refrain