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"Shake It Off" is a song by the American singer-songwriter Taylor Swift and the lead single from her fifth studio album, 1989. She wrote the song with its producers, Max Martin and Shellback . Inspired by the media scrutiny on Swift's public image, the lyrics are about her indifference to detractors and their negative remarks.
"Shake It Off" is a mid-tempo R&B song with a pop and hip hop backbeat and a "thumping", sparse production. [8] Written and produced by Carey, Jermaine Dupri, Bryan-Michael Cox and Johntá Austin, the song drew comparisons to several productions from Usher's 2004 album, Confessions.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
The royal family posted a two-minute-long video of the guards playing an orchestral version of Swift's hit "Shake It Off" to X (formerly Twitter)."Can't stop, won't stop groovin,'" the royal ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
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Slack-key guitar (from Hawaiian kī hōʻalu, which means "loosen the [tuning] key") is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing, which has been used for centuries, involves altering the standard tuning on a guitar from E-A-D-G-B-E, so that strumming across the open strings will then sound a ...
Changes of key may also represent changes in mood. In many genres of music, moving from a lower key to a higher often indicates an increase in energy. Change of key is not possible in the full chromatic or the twelve tone technique, as the modulatory space is completely filled; i.e., if every pitch is equal and ubiquitous there is nowhere else ...