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Randall in 1972. Dudley Randall (January 14, 1914 – August 5, 2000) was an African-American poet and poetry publisher from Detroit, Michigan. [1] He founded a pioneering publishing company called Broadside Press in 1965, which published many leading African-American writers, among them Melvin Tolson, Sonia Sanchez, [2] Audre Lorde, Gwendolyn Brooks, [2] Etheridge Knight, Margaret Walker, and ...
Among his influential anthologies are Master Poems of the English Language, Immortal Poems of the English Language, The Pocket Book of Modern Verse, and the Little Treasury Poetry Series, which were used in colleges and high schools around the U.S. in the 1950s and 1960s. During his lifetime, anthologies he edited sold more than two million ...
Anthology of Twentieth-Century British and Irish Poetry, 2001; Book of Aneirin (c. 1265), Welsh medieval manuscript; The Best American Poetry series; Best New Poets series; British Poetry since 1945, 1970; Broadview Anthology of Poetry, 1993; Children of Albion: Poetry of the Underground in Britain, 1969; Conductors of Chaos: A Poetry Anthology ...
The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems. There was also a section of prose pieces, which could have been studied in schools ...
Power Politics is a book of poetry by Canadian author Margaret Atwood, published in 1971. It contains her famous simile: You fit into me like a hook into an eye a fish hook an open eye. The violent surprise of this poem is typical of Atwood’s imagery. [1] Gender is a crucial theme in Power Politics.
Oxford Book of Modern Verse 1892–1935 edited by W. B. Yeats; Oxford Book of Twentieth Century English Verse edited by Philip Larkin; Oxford Book of Contemporary Verse edited by D. J. Enright, reissued in 1995 as Oxford Book of Verse 1945-1980. Anthology of Twentieth-Century British and Irish Poetry edited by Keith Tuma.
"Spirits of the Dead" was first titled "Visits of the Dead" when it was published in the 1827 collection Tamerlane and Other Poems. The title was changed for the 1829 collection Al Aaraaf, Tamerlane, and Minor Poems. The poem follows a dialogue between a dead speaker and a person visiting his grave. The spirit tells the person that those who ...
In a review for The New York Times, O’Donoghue called Field Work: “a superb book, the most eloquent and far-reaching book he has written, a perennial poetry offered at a time when many of us have despaired of seeing such a thing." [1] Field Work is notably less political than North.