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Literature of the 20th century refers to world literature produced during the 20th century (1901 to 2000). The main periods in question are often grouped by scholars as Modernist literature, Postmodern literature, flowering from roughly 1900 to 1940 and 1960 to 1990 [1] respectively, roughly using World War II as a transition point.
The immense human costs of the First World War saw the prevailing assumptions about society reassessed, [3] and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. In Modernist Literature, Mary Ann Gillies notes that these literary themes share the "centrality of a ...
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1] Philosophy, politics, architecture, and social issues were all aspects of this movement.
A literary style and movement in which magical elements appear in otherwise realistic circumstances. Most often associated with the Latin American literary boom of the 20th century [50] Gabriel García Márquez, Octavio Paz, Günter Grass, Julio Cortázar, Sadegh Hedayat, Nina Sadur, Mo Yan, Olga Tokarczuk: Neo-Romanticism
Fragmentation is another important aspect of postmodern literature. Various elements, concerning plot, characters, themes, imagery and factual references are fragmented and dispersed throughout the entire work. [63] In general, there is an interrupted sequence of events, character development and action which can at first glance look modern.
Modernism is a major literary movement of the first part of the twentieth-century. The term Postmodern literature is used to describe certain tendencies in post-World War II literature. Irish writers were especially important in the twentieth-century, including James Joyce and later Samuel Beckett, both central figures in the Modernist movement
In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. [1]
New Criticism developed as a reaction to the older philological and literary history schools of the US North, which focused on the history and meaning of individual words and their relation to foreign and ancient languages, comparative sources, and the biographical circumstances of the authors, taking this approach under the influence of nineteenth-century German scholarship.