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Origami (折り紙, Japanese pronunciation: or [oɾiꜜɡami], from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin.
The paper is folded in front of itself. A dashed and dotted line shows a mountain fold (there may be one or two dots per dash depending on the author). The paper is folded behind itself, this is normally done by turning the paper over, folding a valley fold and then turning the paper back over again. A thin line shows where a previous fold has ...
The placement of a point on a curved fold in the pattern may require the solution of elliptic integrals. Curved origami allows the paper to form developable surfaces that are not flat. [41] Wet-folding origami is a technique evolved by Yoshizawa that allows curved folds to create an even greater range of shapes of higher order complexity.
Josef Albers, the father of modern color theory and minimalistic art, taught origami and paper folding in the 1920s and 30s at the famous Bauhaus design school. His methods, which involved sheets of round paper that were folded into spirals and curved shapes, have influenced modern origami artists like Kunihiko Kasahara.
Modular origami or unit origami is a multi-stage paper folding technique in which several, or sometimes many, sheets of paper are first folded into individual modules or units and then assembled into an integrated flat shape or three-dimensional structure, usually by inserting flaps into pockets created by the folding process. [3]
Origamic architecture is a form of kirigami that involves the three-dimensional reproduction of architecture and monuments, on various scales, using cut-out and folded paper, usually thin paperboard. Visually, these creations are comparable to intricate 'pop-ups', indeed, some works are deliberately engineered to possess 'pop-up'-like properties.