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Basic principle of a jump-scare in its early form as a jack-in-the-box.Illustration of the Harper's Weekly magazine from 1863. A jump scare (also written jump-scare and jumpscare) is a scaring technique used in media, particularly in films such as horror films and video games such as horror games, intended to scare the viewer by surprising them with a creepy face, usually co-occurring with a ...
Bigbelly public waste and recycling components at DTE Headquarters in Detroit, Michigan. Bigbelly was originally a solar powered trash-compacting bin, manufactured by U.S. company Big belly Solar Inc for use in public spaces such as parks, beaches, amusement parks, universities, retail properties, grocery industry and food service operators.
Japan's trash containers are divided into combustibles, cans/bottles/pet bottles and newspapers and magazines. Recycling trash can in Natal, Brazil. A waste container, also known as a dustbin, [1] rubbish bin, trash can, garbage can, wastepaper basket, and wastebasket, among other names, is a type of container intended to store waste that is usually made out of metal or plastic.
The Canada–Philippines waste dispute was an international row over mislabeled Canadian garbage shipped to Manila by a recycling company. The 103 shipping containers that left from Vancouver in 2013–14 were labeled as recyclable plastics ; they instead contained household waste.
The San Diego Tribune also featured an article about residents of Payatas preparing pagpag in celebration of Pope Francis's visit to the Philippines. [2] In February 2018, BBC News published a 3-minute long mini-documentary showing how pagpag is made, whereby the team followed a bag of meat from the rubbish dump to the dinner table.
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According to AGB Nielsen Philippines' Mega Manila household television ratings, the pilot episode of Hanggang Makita Kang Muli earned a 13.8% rating. [6] While the final episode scored an 18.9% rating.
Another full-length animated film was released in the same year, Dayo: Sa Mundo ng Elementalia. Described as the Philippines ' first all-digital full-length animated feature film, the film was done for two years of development composed of over 500 animators using paperless 2D (characters) and 3D (backdrops) technologies.