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The Kiss of Death, in Catalan: "El petó de la mort", in Spanish: "El beso de la muerte", is a marble sculpture located in the Poblenou Cemetery in Barcelona.The sculpture is believed to have been crafted by Jaume Barba in 1930, as his signature is present on the side of the sculpture.
Researchers identified the skeleton as male largely based on the pelvis. The skeleton had no apparent evidence of disease or healed lifetime injuries. [1] [2] [3] Skeleton SK 336 appeared to have been healthy in life; the skeleton had no apparent evidence of healed lifetimes injuries, and was estimated to have been aged to about 30–35 years.
Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]
Classical art [Note 2] is the art developed in ancient Greece and Rome, whose scientific, material and aesthetic advances contributed to the history of art a style based on nature and the human being, where harmony and balance, the rationality of forms and volumes, and a sense of imitation ("mimesis") of nature prevailed, laying the foundations ...
Van Gogh included skeletons in another work from his Antwerp period, a sketch of a "Hanging skeleton and cat". [3] In 1887–88, van Gogh painted two more paintings with skulls, the only other works of his (besides a drawing from the same period) to use skulls as a motif. [2] The work measures 32 by 24.5 centimetres (12.6 in × 9.6 in).
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The human brain has a specific region for recognizing faces, [1] and is so attuned to finding them that it can see faces in a few dots and lines or punctuation marks; the human brain cannot separate the image of the human skull from the familiar human face. Because of this, both the death and the now-past life of the skull are symbolized.